• Home
    • About Us
    • Resources
    • Moab Photography Tips
    • Current Moab Photo Conditions
    • eBooks
    • Private Workshops
    • Workshop FAQ's
    • Testimonials
    • Arches National Park
    • Canyonlands National Park
    • Magnificent Moab
  • Contact
  • Blog
Menu

Moab Photography Workshops

137 N. Main St.
Moab, Utah 84532
6025714170

Your Custom Text Here

Moab Photography Workshops

  • Home
  • Info
    • About Us
    • Resources
    • Moab Photography Tips
    • Current Moab Photo Conditions
  • eFotoGuide
    • eBooks
  • Workshops
    • Private Workshops
    • Workshop FAQ's
    • Testimonials
  • Images of Moab
    • Arches National Park
    • Canyonlands National Park
    • Magnificent Moab
  • Contact
  • Blog

An Evening in Arches with the Aurora Borealis

October 15, 2024 Bret Edge

The aurora borealis makes an exceedingly rare appearance in the starry sky above Balanced Rock in Arches National Park near Moab, Utah.

When you’re a photographer who lives in Moab, you’ve got an endless variety of incredible landscapes to photograph. Wildflowers in the spring, monsoon storms in summer, gorgeous multi-hued leaves in the fall and pristine snow on red rocks in winter. There are canyons and waterfalls, arches and balancing rocks and twisted juniper trees, mountains and lakes, wildlife and wild sunsets. What you don’t have though, is the aurora. Colorful waves of light dancing across the northern sky before a curtain of twinkling stars. And then, on an autumn day in October, an aurora alert flashes across your iPhone screen. For three hours, from 9 to midnight, there’s a KP rating of 8 and a predicted 100% aurora viewing opportunity. It’s already dark, so you step into the backyard and point your iPhone camera to the north. There, on the screen, is a brilliant red aurora hovering over the roof of your neighbor’s house.

That’s exactly what happened to me last week. At almost 54 years old, and having been a nature photographer for 25 years, I was about to photograph my first aurora. The next few minutes were chaotic as I quickly threw on hiking boots, gathered my gear, grabbed a drink and some snacks, and tossed everything into the backseat of my Land Cruiser. Adrenalin flowing, Melissa and I excitedly sped toward Arches National Park. In the distance, a steady stream of headlights were visible climbing up the entrance road that ascends a series of switchbacks leading from the valley floor into the heart of the park. Clearly, I wasn’t the only one who had received an aurora alert.

We made our first stop at Courthouse Towers, where several prominent landscape features erupt skyward in great pillars of red sandstone. I’ve shot this location dozens of times, in every season, and at all times of the day. I know it intimately and quite frankly, I’m embarrassed to say that I’ve grown somewhat tired of it. Until this night, that is. Nothing could have prepared me for the moment after the first click of my shutter. There on the LCD screen appeared an image of a hulking monolith known as The Organ, and above it was a vibrant ruby red, star filled sky. For what felt like minutes, I just stared at the screen. There they were, the freaking northern lights above the Moab desert! I was an aurora photographer!

Then, I zoomed in and quickly realized, I was an aurora photographer who was so overcome with excitement, I’d forgotten to focus my lens. That’s when reality bitch slapped me in the face. I knew absolutely nothing about photographing auroras. I’d gotten a few helpful tips from my friend Jason Hatfield, an insanely talented photographer with extensive experience shooting the night sky, including too many auroras to count. I took a moment to collect myself before my second attempt. Have you ever tried to manually focus on a distant object in near complete darkness? It ain’t easy. At least in my experience, it’s a matter of trial and error. Set the focus, shoot, check for sharpness, make a minor adjustment, repeat. Eventually, I got my focus dialed in and then went to work finding an optimal exposure. Jack up the ISO, set the exposure, keep the aperture at f/2.8. Nope, way too dark. Increase exposure, try again. And again. And again. Until finally, burned onto the memory card was a sharp(ish), mostly properly exposed image.

Aurora Borealis in Sky Above Courthouse Towers in Arches National Park NR.jpg
Aurora Borealis Above Balanced Rock, La Sal Mountains and Ham Rock NR.jpg
Aurora Borealis Behind Balanced Rock at Arches National Park.jpg
Aurora Borealis in Sky Above The Organ at Arches National Park NR.jpg

We stayed at Courthouse Towers for quite some time. I made a few dozen images, experimenting with different compositions, each one unique in that no two northern light photos are ever the same. When the colors began to fade, we moved on. Our next stop was Balanced Rock, where a significant crowd had gathered to enjoy this rare spectacle. The process repeated itself, and again we stayed until the aurora vanished. We moved on to the Windows area, but didn’t stay long as the colors were muted and occupied only a small area of the sky.

Reluctantly, we decided to call it a night. As we made our way out of the park, Melissa noticed a faint glow in the rear view mirror. We stopped again at Courthouse Towers to quickly check for the aurora using our iPhone cameras, one of the tips Jason had shared with me. Digital camera sensors are far more sensitive to light than our eyes, and auroras that may not be visible to the naked eye, can be easily recorded via camera and viewed on-screen. Much to our delight, the sky was again brimming with color! We stayed until the aurora disappeared completely. This time, I experimented with a lower ISO (400) and longer exposures (20 - 25 seconds), knowing that it would result in cleaner (i.e. less noise) image files. I was also pleased to discover that with a faint aurora, using a longer exposure seemed to result in brighter colors that covered more of the sky.

We pulled into our driveway at midnight. I had a Zoom meeting in just a few hours and though I was eager to download and view my images, I did the responsible thing and went to bed. That night, I dreamt of auroras. In my dreams, I could see them in the sky with my own eyes and they swirled around in a kaleidoscope of psychedelic colors. Following my meeting, I popped the SD card into my computer and began to cull through over 200 images from my incredible night with the northern lights, ultimately narrowing it down to about ten photographs, a few of which are displayed in this post. I guess now I need to order new business cards, so I can add “Aurora Photographer” to my title. ;-) This was an evening I won’t soon forget and if I’m lucky, somewhere down the road, I’ll have another opportunity to experience the northern lights.


In Essays Tags moab photography, moab photo guide, moab photos, moab aurora, moab northern lights, aurora borealis, aurora borealis photography, northern lights photography, arches national park, national park photography, nature photography, landscape photography, night sky photography, astrophotography
Comment

What You Need to Know About the 2022 Arches National Park Timed Entry Permit System

January 12, 2022 Bret Edge

The moon rises through clouds above Balanced Rock as sunset light warms red sandstone on an autumn day in Arches National Park near Moab, Utah.

Moab nature and adventure photographer Bret Edge shares information and tips on navigating the new Arches National Park timed entry permit system that begins in April, 2022.

Read more
In Moab Photo Locations, Moab Photography Guides, Announcements Tags arches national park, arches photo tips, arches photo conditions, arches national park photography tips, arches national park photo guide, arches national park status, arches national park timed entry permits, arches national park timed entry program, moab photography, moab photography guides, moab photography tips, moab photography locations, moab photo guide, arches national park timed entry system, how to navigate arches national park timed entry system, arches national park timed entry system information, what do i need to know about arches national park timed entry system, nature photography, landscape photography, landscape photography icons, nature photography guidebooks, nature photography tips, moab photo tours, national park service permits, arches national park information, hiking arches national park, visiting arches national park, dead horse point state park photography conditions, dead horse point state park photography, canyonlands national park status, canyonlands national park, canyonlands photography guide
Comment

Behind the Image: Moonrise Over Balanced Rock and the La Sal Mountains

October 19, 2021 Bret Edge

The moon rises over Balanced Rock and the La Sal Mountains as sunset warms the landscape with golden light in Arches National Park near Moab, Utah.

Professional landscape and adventure photographer Bret Edge takes you behind the image to discover how he created his latest image of the moon rising over Balanced Rock and the La Sal Mountains at sunset in Arches National Park near Moab, Utah.

Read more
In Behind the Image Tags balanced rock, arches national park, behind the image, fine art landscape photography, fine art photography prints, moab photography, moab photography locations, utah photography, utah photos, national park photography, national parks, breakthrough filters, neutral density filters, moab photos, southwest, colorado plateau photography
Comment

Moab is Open For Business After COVID-19 Closure

May 1, 2020 Bret Edge
No wildflowers, but spectacular views!

No wildflowers, but spectacular views!

Moab nature and adventure photographer Bret Edge announces the reopening of Moab after COVID-19 closures.

Read more
In Announcements Tags arches photo tips, arches national park, arches winter photography tips, arches photo conditions, arches national park photography tips, arches national park photography conditions, national park photography workshops, arches national park status, national park news, zion national park, zion national park ebooks, arches national park ebooks, arches national park photo guide, zion national park photo guide, big bend national park photo guide, big bend national park photography, big bend national park ebooks, moab photography, moab photography tips, moab photography tours, moab photography workshops, moab utah photography, moab photo tours, moab wildflowers, moab wildflower update, utah photography, utah photography tours, landscape photography ebooks, landscape photography guidebooks, nature photography, nature photography guidebooks, nature photography ebooks, national park photography, national park photography guides, national park photography guidebooks
Comment

Four Tips to Improve Your Fall Color Photography

September 16, 2019 Bret Edge
Cottonwood trees lining an unnamed creek show off the colors of fall below the iconic spires of Castleton Tower and the Priest and Nuns in Castle Valley, Utah.

Cottonwood trees lining an unnamed creek show off the colors of fall below the iconic spires of Castleton Tower and the Priest and Nuns in Castle Valley, Utah.

This morning I walked outside and was all like, wait, what...it's actually kinda not hot out here. What is going on? Then I looked at my phone and saw the date, September 3, and realized that, holy crap, fall is right around the corner. Fall! My favorite season! I did a little happy dance, collected myself and walked back inside to get ready for another day in paradise. With golden leaves already starting to appear in some areas of the Rockies I thought I'd take a few moments to share a few tips that may help you to create spectacular images this autumn. I hope you find them helpful.

FILTERS...KNOW THEM, USE THEM, LOVE THEM

Colorful leaves swirl in the cold waters of the Left Fork of North Creek as it flows through a section of canyon known as “The Subway” in Zion National Park near Springdale, Utah.

Colorful leaves swirl in the cold waters of the Left Fork of North Creek as it flows through a section of canyon known as “The Subway” in Zion National Park near Springdale, Utah.

There is one filter I consider essential for photography in the fall, and yet another I highly recommend for creative expression. The venerable polarizing filter belongs in your kit year round but is especially handy during the colorful days of fall. I have never been a huge fan of using a polarizing filter for wide-angle landscapes but when shooting interior forest scenes and/or intimate compositions involving water (i.e. waterfalls, streams, etc.), a polarizer will remove or minimize reflections, thus giving the entire scene a more rich, saturated look. I always used Singh-Ray filters, specifically their fantastic Thin Ring Neutral Polarizer, which has a thinner outer ring that is less likely to cause vignetting when shooting at wider focal lengths.

The second filter I recommend is a solid neutral density (ND) filter. These filters are available in two versions: adjustable and non-adjustable. I've used the adjustable versions and find them to be...okay. Not great, just okay. They tend to work well when used at lower power but, in my experience, they introduce weird color casts when used at higher powers. Maybe the newer versions are better? Regardless of which type you choose, an ND filter reduces the amount of light reaching your camera sensor, thereby slowing the shutter speed. This can be used to great creative effect if you want to show movement, i.e. leaves swaying in the wind. These images will tend to have a more impressionistic, and at times, almost abstract mood to them.

I LIKE LONG LENSES AND I CANNOT LIE

Aspen trees and gambel oak display brilliant autumn leaves in the La Sal Mountains near Moab, Utah.

Aspen trees and gambel oak display brilliant autumn leaves in the La Sal Mountains near Moab, Utah.

It's easy to get suckered into using wide angle lenses for landscape photography but the magic happens when you break out a long lens to isolate an interesting "scene within a scene." I used long lenses year-round but they got a real workout every fall when the aspens and cottonwoods would put on the all-too-short psychedelic show.

I think if you ask most accomplished landscape photographers whether it’s easier to use a wide angle or long lens for landscapes the answer would be overwhelmingly “wide angle.” I remember making a conscious decision to master intimate landscapes early in my photography career. I definitely didn’t master the art but I did manage to figure out how to create some pretty interesting images of scenes that most people would walk right by without so much as a glance. What’s the secret? You’ve got to learn how to create tension and balance all within the same image. Look for patterns, either actual or implied. Create order out of chaos. The essence of a really good intimate landscape is to work the scene until you’ve eliminated everything that isn’t necessary so that all that remains in the frame is the very thing that caught your eye. For that matter, that’s true of any photograph.

I could tell you to do this and do that with your long lens but the only real way to learn is to go out into the autumn trees, mount up a long lens and start experimenting. I always used either a 100-400mm lens when I shot with Canon and when I switched to Sony, my go-to glass was a 70-200mm lens. Also, don’t be afraid to experiment with depth of field while shooting at telephoto focal lengths. Sometimes, it’s better to use a narrow depth of field so your main subject pops from the blurred background.

The single best resource you’ll find on photographing the intimate landscape is Beyond the Grand Landscape: A Guide to Photographing Nature’s Small Scenes by Sarah Marino and Ron Coscorrosa. It’s the best $19.95 you’ll spend this year.

SUNRISE, SUNSET AND EVERYTHING IN BETWEEN

Raindrops gather on a single colorful aspen leaf on a cloudy day in the La Sal Mountains near Moab, Utah.

Raindrops gather on a single colorful aspen leaf on a cloudy day in the La Sal Mountains near Moab, Utah.

There’s no such thing as bad light, just bad photographers. That might be a harsh statement but it’s true. If you’re a photographer who bitches and moans when the light “isn’t right”, you’ve got some learnin’ to do. Photography is just painting with light - any light - so learn to use whatever light you’re presented with to make dynamic images.

We all know about the magic that happens at sunrise and sunset, but there’s a lot of time in the day between those two events - use it! Overcast light is perfect for macro work or intimate landscape photography. The soft, diffused light casts only quiet shadows, allowing even old cameras to record the full dynamic range of a scene. I love wandering around in aspen groves on overcast days. The opportunities are virtually limitless.

Even harsh mid-day light can produce extraordinary image possibilities. Look for high contrast scenes, i.e. a backlit tree, leaves glowing as if lit from within, against a deeply shadowed cliff face. Let those shadows go deep, deep black. High contrast scenes often times have the most visual impact.

Bonus Tip: While you’re out wandering around in the middle of the day, keep your eyes peeled for potential sunrise or sunset locations. This is what we call “scouting”. Worst case scenario, you spend the day walking around in the woods/desert/mountains/canyons, rather than sitting behind a desk or staring at your phone screen. That’s a win, right?

POST-PROCESSING PITFALLS

Imposing clouds loom at sunset over the Moab Fault in the desert below a canyon filled with brilliant aspen trees high in the La Sal Mountains near Moab, Utah.

Imposing clouds loom at sunset over the Moab Fault in the desert below a canyon filled with brilliant aspen trees high in the La Sal Mountains near Moab, Utah.

I confess, I’m guilty of sliding the saturation slider just past the point of believability. If a little is good, more is more better, right? Wrong. So wrong.

In the mountain bike world, there’s an edict that bikes have gotten so good, there really aren’t any bad bikes anymore. Well, unless you’re buying a bike from Wal-Mart. Anyway, that’s really pretty true of photo processing software, too. I remember when Photoshop was the shizz. And then it was Lightroom. Now, basically anything you buy is more powerful than Photoshop was 15 years ago. However, with great power comes great responsibility.

If I had to sum up the single most common post-processing issue I could do it with one word: more. More saturation, more shadow recovery, more highlight recovery, more HDR, more processing…MOAR!!!! I’ve long strived for my images to remain within the realm of realism. I try to photograph in the best light with the best possible exposures at the correct aperture so I can spend less time post-processing images and more time out in nature. There are photographers who have made a name for themselves overusing processing to create images that are less about reality and more about fantasy. I appreciate their style of art, but it’s not my thang.

In a nutshell, when you’re processing you images, consider reigning it in just a little bit.

If you’re less of a computer geek and more of an outdoor geek, like me, it’s not a bad idea to get some help. I know my way around Lightroom and Photoshop these days, but I’ve been using both for a long time and have bought how-to books, watched YouTube tutorials and had good friends share some of their tips with me. Of all the resources I’ve used, none have been more valuable than Yosemite photographer Michael Frye’s “Landscapes in Lightroom” ebook and Sean Bagshaw’s incredible video tutorials. Michael’s ebook is a great launching point for beginner and intermediate photographers while Sean’s tutorials are helpful for intermediate to advanced image processing techniques.

If you happen to find yourself super inspired for fall photography, please consider purchasing one of my ebooks. Doing so will help me continue to create content for this blog and you’ll surely get a little boost to your karma cup. I’ve got three ebooks covering Arches, Big Bend and Zion National Parks, each costing only $15 or you can buy the whole bundle for $40. Just click here for all the details on eFotoGuide!

I hope you find these tips helpful and, if you’ve got a tip of your own, feel free to leave it in the comments below. Enjoy the autumn leaves!

 

In Beginners Guides Tags autumn, fall, seasons, photography tips, autumn photography tips, fall color, fall photography tips, photography techniques, zion national park, arches national park
Comment

Moab Photography Conditions - May 19, 2019: SUPER BLOOM!

May 19, 2019 Bret Edge
Wildflowers in Sand Dunes Below Chimney Rock - Moab, Utah

Wildflowers in Sand Dunes Below Chimney Rock - Moab, Utah

Moab landscape and adventure photographer Bret Edge shares an update on the 2019 wildflower super bloom at Arches National Park, Canyonlands National Park, Dead Horse Point State Park and the general Moab area.

Read more
In Moab Photo Conditions Tags moab photography, moab, moab photo tours, moab photography conditions, moab photography tips, moab news, moab weather, arches national park status, arches photo tips, arches national park, arches photo conditions, arches national park photography tips, arches national park photography conditions, canyonlands national park photography, canyonlands national park, canyonlands natural history association, canyonlands national park status, canyonlands national park photography conditions, canyonlands national park photography tips, canyon country photography, dead horse point state park photography, dead horse point photography tips, dead horse point state park photography conditions, moab super bloom, moab wildflowers, moab wildflower update, desert superbloom
Comment

Moab Photography Conditions - March 3, 2019

March 3, 2019 Bret Edge
Courthouse Towers Reflecting in Pothole Below Clearing Storm, Arches National Park, Utah

Courthouse Towers Reflecting in Pothole Below Clearing Storm, Arches National Park, Utah

Professional landscape and adventure photographer Bret Edge provides updated, real-time photography conditions in Moab, Utah as of March 3, 2019.

Read more
In Moab Photo Conditions Tags arches national park status, arches photo tips, arches national park, arches photo conditions, arches national park photography tips, delicate arch photography tips, landscape arch photography tips, canyon country photography, canyonlands national park photography, canyonlands national park, canyonlands natural history association, canyonlands national park status, canyonlands national park photography conditions, canyonlands national park photography tips, moab photography, moab photo tours, moab photography tips, moab photography tours, moab photo workshops, moab photography workshops, moab weather, moab weather update, moab photography conditions, moab news, southeast utah weather, utah photography workshops, southeast utah photography conditions
Comment

Behind the Image: Hiker Leaping at Delicate Arch

March 1, 2019 Bret Edge
Hiker Leaping at Delicate Arch, Arches National Park, Utah

Hiker Leaping at Delicate Arch, Arches National Park, Utah

Professional nature and adventure photographer discusses what went into the making of his image of a female hiker jumping from rock to rock at Delicate Arch in Arches National Park near Moab, Utah.

Read more
In Behind the Image Tags arches national park, behind the image, delicate arch, adventure, ad, adventure photography, outdoor adventure, hiking photography, hiker photography, winter in moab, moab photography, moab, moab photography tips, moab photo workshops
Comment

Behind the Image: Juniper Tree Framing Landscape Arch at Sunrise

February 22, 2019 Bret Edge
Juniper Tree Framing Landscape Arch at Sunrise, Arches National Park, Utah

Juniper Tree Framing Landscape Arch at Sunrise, Arches National Park, Utah

Professional nature and adventure photographer Bret Edge writes about the process involved in creating his image of Landscape Arch framed by a weathered juniper tree in the Devil’s Garden area of Arches National Park in Moab, Utah.

Read more
In Behind the Image Tags behind the image, arches national park photography tips, devils garden, landscape arch, arches national park, moab photography, utah photography, photography how to, landscape photography, landscape photography in moab, canyonlands natural history association, making of a photograph, national park photography
Comment
Donate

375 South Main Street #130 - Moab, Utah 84532 - (602) 571-4170

© Bret Edge Photography